CROSSED: FAMILY VALUES #4: Yeah, I miss Garth Ennis on this series. The new writer, David Lapham, is really good with most things (crime, obviously), but pseudo-zombie apocalypses? Not so much. Ennis can take humanity and make it real, but Lapham sometimes makes it sound too hokey. Still, they share the ability to be extreme. As per usual, the kinda-sorta zombies are ultra-violent, and their words are really ugly, but Lapham falls into the trap so many writers these days are familiar with: the real monsters of this book are the people. Yes, the villains here are ordinary people with guns who want to steal horses from our heroes. Things get nasty, and the main bad guy (a fella’ who looks a bit too much like Alan Moore) sounds exactly like one of the Crossed, especially when he says things like, “I’ll fuck that little girl’s brains through her teeth while the rest of ‘em [pregnant women] bleed out!” It’s a good read (not great), and the art, while sometimes silly, is good enough (I miss Jacen Burrows, too), but ultimately worth the price of admission.
Thursday, September 30, 2010
COOL SHIT 9-30-10
CROSSED: FAMILY VALUES #4: Yeah, I miss Garth Ennis on this series. The new writer, David Lapham, is really good with most things (crime, obviously), but pseudo-zombie apocalypses? Not so much. Ennis can take humanity and make it real, but Lapham sometimes makes it sound too hokey. Still, they share the ability to be extreme. As per usual, the kinda-sorta zombies are ultra-violent, and their words are really ugly, but Lapham falls into the trap so many writers these days are familiar with: the real monsters of this book are the people. Yes, the villains here are ordinary people with guns who want to steal horses from our heroes. Things get nasty, and the main bad guy (a fella’ who looks a bit too much like Alan Moore) sounds exactly like one of the Crossed, especially when he says things like, “I’ll fuck that little girl’s brains through her teeth while the rest of ‘em [pregnant women] bleed out!” It’s a good read (not great), and the art, while sometimes silly, is good enough (I miss Jacen Burrows, too), but ultimately worth the price of admission.
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