Showing posts with label the new 52. Show all posts
Showing posts with label the new 52. Show all posts

Thursday, October 23, 2014

GOODNIGHT, FUCKERS #97: NOT MY CONSTANTINE

Looks like tomorrow is the debut of CONSTANTINE, a TV show based on one of my favorite comic book characters from the Big 2. I know I'm going to hate it. I'm going to give it a shot, but I know I'm just going to shit all over it later.


I don't want to, but the thing is, this show is based on the New 52 Constantine (pronounced CON-stan-TEEN), not the HELLBLAZER Constantine (pronounced CON-stan-TYNE) that I loved so much. It's pretty easy to cover that bullshit version of Constantine pretty well, since bullshit is easy for TV to deal with. However, I think it's impossible for a TV network to capture the essence of an incredibly complex character, like the Constantine portrayed in HELLBLAZER.


I think they're going to pull a WALKING DEAD on us. In the TV version of TWD, the characters of Michonne and Andrea are written as if they're the comic book versions for TV. Here's the problem: on the TV show, neither of those characters earned the things their comic book counterparts achieved so well. TV Michonne displays a hatred for the Governor that borders on the insane, which only makes sense if it's comic book Michonne, who was raped and tortured by the comic book Governor, things that never happened to TV Michonne. The same goes for TV Andrea, who thinks she's a bad-ass only because comic book Andrea really is a bad-ass. TV Andrea is a full-on fuck-up. I'm thinking the same thing is going to happen with TV Constantine.


At least this time they got a guy who actually looks like comic book Constantine. That's the best I can say, so far. I'm sure I'll let you know more of my thoughts when I see the series premiere tomorrow. Until then, goodnight fuckers.




























PS: If you're doubting my pronunciation of the HELLBLAZER CON-stan-TYNE, then we're going to have a problem. Alan Moore created the character for SWAMP THING. Constantine proved to be so popular, he wound up getting his own title, HELLBLAZER. I forget which issue it was in, but in the letters column of one of them, Moore is quoted as saying that Constantine, who was born in Liverpool and therefore has a Liverpudlian accent, pronounces his last name as CON-stan-TYNE. Here's a secondary source, which is also pretty official. Just scroll down to Major Story Arcs, under DC Comics: New Earth Swamp Thing.

Wednesday, May 29, 2013

C2E2 2013: MEETING JIMMY PALMIOTTI



Ladies and gentlmen, after being a huge JONAH HEX fan for nearly 15 years, I finally have a few issues signed.  No, none of the classics, sadly, but they’re still kick-ass issues.  The first five from the new JONAH HEX.  Not the ALL-STAR Hex, but when he first came back after Lansdale’s final run.



At first, I was going to thank Jimmy Palmiotti for finally getting Hex out of Gotham, back to his element, but I didn’t want to become the whiny fan, and besides, Palmiotti was too nice to take shit from me, since thanking him for that would mean complaining about the storyline (and the stupid sidekick idea).  In fact, aside from James Cosmo, Palmiotti was probably the happiest to be there.  He greeted me with one of the strongest, most enthusiastic handshakes I’ve ever experienced at a show, and he had one of the most natural smiles I’ve ever come across.  He was eager to talk about Hex, and when I told him I had every appearance, he was all the more excited to talk about the book.  He strikes me as an actual longtime fan of the book, which is rare in this day and age of making classic characters “their own,” whoever “they” might be.




I should mention that I met Palmiotti before the DC New 52 panel, at which some awful news about the future of Hex was revealed.  Chances are, I would have still played nice, because Palmiotti is a hell of a guy and I like him, but part of me would have wanted to beg him to abandon this foolish idea.  Besides, the story’s done already.  There’s no going back.

Friday, May 17, 2013

C2E2 2013: THE NEW 52 PANEL




All right, this was the panel I was least interested in.  I don’t care much for DC (just like I don’t care much for Marvel).  I only read their books when it’s a character I love (which is rare), or if a book is written by a writer I respect.  Not surprisingly, it was the most overcrowded panel I attended at the con.  Standing room only.



You know why I went there.  I have only 2 DC interests, and believe you me, these days they are waning.  I didn’t even know who most of the panelists were.  I recognized Peter Tomasi, Bob Harras, and Doug Mahnke, but I had to resort to the internet to identify the others as Bobbie Chase, Charles Soule, Sterling Gates, Kyle Higgins, Aaron Kuder, and Patrick Gleason.



(Before I go any further, I should mention a pretty decent thing the DC folks are doing:  We Can Be Heroes.  It’s an Indiegogo charity to fight hunger.  They’ve raised more than 2 million so far.  You can get some pretty cool stuff, like exclusives, special editions, extras, all sorts of stuff.  If you buy these things, DC matches your donation.  Not bad, eh?)



Anyway, I didn’t really care much about what their topics, for the most part.  They say there are no plans for a new Robin just yet, but then they hinted that there might be a new Robin soon.  You know, the usual Big Two bullshit.  In the meantime, they’re portraying Batman going through the five stages of grief, and at the same time, it looks like Nightwing has moved to Chicago.  That got a cheer out of the room.  It would seem that the guy who killed Dick Grayson’s parents is still alive and living under an assumed name.  Nightwing is in Chicago hunting him down.  The villain sounds like a SAW ripoff.  That could be cool, but ultimately, it’s not a thing for me.  Oh yeah, and the new Batwing is the son of Lucius Fox.  They also talked about SUPERMAN UNCHAINED, which is coming out the Wedneday just before the new Superman movie is released.  Scott Snyder is writing that one, but hell.  It’s Superman.  I can’t bring myself to care.



The stuff I was there for:  John Constantine and Jonah Hex, of course.  It would seem that the DC writers have been planning something called the Trinity War in the Justice League books from the start of the New 52, and that includes JUSTICE LEAGUE DARK, for some reason.  It involves Pandora and the Phantom Stranger.  I kind of like the Phantom Stranger, but he does not need his own book.  Am I the only one saying that?  Guys like him can’t have their own books.  They need to be enigmatic, showing up in other people’s books from time to time.  If you give him his own book, he loses all of that shit.  Besides, constant exposure to him will eventually wear thin.



ANYWAY . . . the new SWAMP THING writer has a few plans for John Constantine outside of the Trinity War.  He goes to a small town in Scotland that has grown something called a Whiskey Tree (and I don’t know what that is, but it sounds like I might be reading that issue of SWAMP THING).



And then there’s ALL-STAR WESTERN.  You know how recently I was gleeful that we were finally getting Hex back to his western roots?  And then he teamed up with Booster fucking Gold?  Well, I’m about to get even more disappointed with the series.  Coming soon, Hex will be TIME TRAVELING TO MODERN TIMES.  Oh yeah, and while he’s in the 21st Century, he’ll be GOING BACK TO GOTHAM CITY.  Motherfucker!  Are you shitting me?  Do you remember the last time Hex time traveled?  We got stuck with fucking HEX.  How well did that work out?  It was canceled after 18 issues (which was 18 too many, if you ask me).  I can only assume that we’ll be losing this book pretty soon.



One of the last things they talked about was a free guide that will be coming out at the end of the month in comic book stores everywhere.  It’s a list of all the DC graphic novels and the suggested order you should read them in.



I didn’t have the stomach to stick around for the Q&A session, I was that disgusted.  At least they gave me a copy of BATMAN #701 for free.  It was actually a pretty good read, but since it was written by Grant Morrison, I wasn’t that surprised.