Showing posts with label tales of questionable taste. Show all posts
Showing posts with label tales of questionable taste. Show all posts

Friday, November 11, 2022

GOODNIGHT, FUCKERS #564: OUT OF PRINT

When I changed my tactics in regards to promoting my work on social media, I noticed a few things. Naturally I always went to my own website for the links I post to Twitter and Facebook. There's just one problem.


More and more of my stuff is going out of print. It's the nature of the beast, of course, but I'm kind of surprised by how quickly those publications are vanishing.


Right now, as I write this, there is a bunch of stuff on my website that you can't buy anymore. It's irritating because it's not something I can fix then and there. I've been putting it off until I have enough time to do it properly. Time isn't my friend right now.


It could be worse. Imagine you're a writer, and you're going on the most popular podcast in the genre, and you will surely get a bump from this appearance, and when the interview starts, it's brought to your attention that your website has vanished.


That's what happened to me the second time I was on The Horror Show with Brian Keene. I tried to play it cool, but I went a little crazy in my head at that moment. I knew I wasn't behind on my payments. How the hell could it have happened?


I didn't get it resolved until I got back home, but I was fairly panicked in that moment. I was able to pull up the website itself, but all the different pages where the important stuff was, like links to where you can buy my books, had vanished. I don't recall what the issue was, as I was very drunk and angry when dealing with it, but I managed to get the issue resolved after a couple of nerve-rattling days.


I also remember during 2020, when I was at the worst point of my life, when I almost considered giving up on the website. That would have been sheer madness, but I found myself chipping away at the expenses until I had the bare minimum I needed to continue having that website. I was very, very close to not having any money at all. That would have truly sucked.


Maybe I'll have time to look at this on Sunday. I don't think I have anything going on then. Fingers crossed. In the meantime, feel free to peruse the site here.

Sunday, September 11, 2022

POST PRINTERS ROW BOOK SALE

 Since we got rained out on the second day of Printers Row, I still have stock of my own books. Here is what I have and what each one costs. And I'll tell you what, I'll give you a deal. Buy any three books? That's $30 in total, shipping included.


-THE LIFE AND TIMES OF HIERONYMUS ALOYSIS ZIEGE: 23 copies. $12 each. If you buy this book, you will also get a copy of SHIT POEMS NUMBER 2 for free! Limited to 30 copies! First come, first serve.


-TALES OF UNSPEAKABLE TASTE: 3 copies. $14 each.


-BLOOD: 5 copies. $12 each.


-POOR BASTARDS AND RICH FUCKS: 2 copies. $10 each.


-TALES OF QUESTIONABLE TASTE: 2 copies. $12.


-STRIP: 1 copy. $15.


-GONZO RISING: 1 copy. $12.


And what the hell? I have a bunch of copies of issues 1 and 3 of TABARD INN. I'll throw those in for free for any purchase. I'd put issue 2 in there, too, but I'm pretty sure I'm out of those.

Monday, June 21, 2021

GOODNIGHT, FUCKERS #373: A WEEK OF SHAMELESS SELF-PROMOTION (THE LITE VERSION)

 Usually when I have a week of shameless self-promotion, I post links to just about every publication that ever printed a story of mine. I focus on one book and a bunch of short stories over the course of the day. For a variety of reasons, I am doing a LITE version of this.


One of the biggest reasons is, I no longer work at a job where there is downtime. All my other jobs had downtime, thus allowing for me to post links left and right. The downtime was pretty sweet, actually. I got a lot of reading and writing done, and sometimes it's just an excuse to fuck with your coworkers. Or, if it's dead enough, like around the holidays, we'd play Risk or Monopoly or something. In one notable instance we watched I Come in Peace.


That's right. I once got paid for watching the classic Dolph Lundgren/Brian Benben SF buddy flick about a drug dealer from space killing people.



At my current job, if the phones ever stop ringing (which is a rarity), we're supposed to call out on leads. We always have leads. There will never be a day when we run out of leads. I get bathroom breaks and lunch, and the rest of my day is spent at an intense speed.


But there are other reasons why I'm doing a LITE version. For one thing, it almost serves no purpose to send out so many links on stories that are no longer making me money, if they're even still in print at all. Besides, a lot of it was collected in my books, TOQT and TOUT. The only people interested would be those looking for collectors items, and I don't imagine there are a lot of people out there who actively want to collect that much of me.


And there are other reasons, but those two are the big ones.


(Tee-hee! I said "big ones.")


So my approach this time around is to focus on the books with only the newer short story publications getting posted. I think Thursday I'll focus on my Kindle-only publications. There are only three right now, but I get the feeling that's going to change soon. Oh, if you could only see the weird shit I'm plotting in my head right now in that regard.


Also, in case you haven't seen my website in a while, I updated it (finally) so it's a lot more user friendly now. Take a look around. Be cautious, though, since there is some nudity on certain pages. I wouldn't check it out at work, for example. Probably not in front of your kids, either. Or your parents. Or anyone, really.

Tuesday, October 6, 2020

PSA: MY GOOD DEED FOR THE DAY

 If you are not like me, meaning a small press author facing bankruptcy, then this post will hold zero interest for you. Feel free to skip this one. However, if you are indeed like me, this is going to be essential reading.



I've had a horrible run of shit luck for the past, I don't know, decade. It keeps getting worse and worse until this year finally broke me. I went crazy several times, and I made a slew of horrible and uncharacteristically bad decisions. Some of them were pretty public. Others I kind of kept to myself, more because it might hurt someone else instead of me. If it hurts just me, I put it out there. It's my self-therapy.



One of the worst things ever happened to me in January this year: for the first time since I was 18, I found myself without a job. Having worked so long in technology companies, I decided to look for a similar job. The problem is, I'm 42, and no tech company wants a middle-aged guy working for them. Heed this warning, youngsters: when working square jobs, your expiration date is your 40th birthday. I've been trying to get a new job for a long time, and all I got were warehouse job offers. I am not just middle-aged, I am also disabled. I get around with a cane most times. I explicitly state in my resume that I can't stand for 8 minutes, much less 8 hours. But HR always skips that part because they see I can operate a forklift. (Which I can, but I never got my license. So yeah, if you need me to illegally operate your forklift, count me in. Pay me under the table if need be. Taxman don't need to know shit.)



Needless to say, my money ran out. I lived on the kindness of friends and family. I am ever so grateful for those who lent me money in this difficult time. This disaster led me to do the thing I swore I'd never do: I cashed in my 401(k). I was able to pay back everyone, and I had some money to throw around for a bit. Maybe I shouldn't have gotten into drugs and sex workers quite so much, but it's been a tough fucking year. Give me a break, all right? But I still have a good sum of money pigeonholed as a last line of defense as well as a decent chunk of savings.



Unfortunately I also had a stack of bills thick enough to gag an elephant on. I decided to file for bankruptcy. I just got around to putting in an appearance with my lawyers today. I have no real estate. No assets of any worth. I don't even own the bed I sleep in at night. The only thing I had that I feared my creditors might take away is my car, a 2012 Honda Civic (bought when it was still the year 2011). Yet at the same time, there is so much damage to that car, and I rode that thing into the ground over the course of almost a decade. I figured if they had one look at it, they would just forget the whole thing.



IF YOU GOT LOST IN THE EXPOSITION, THIS PART IS THE PART YOU REALLY, REALLY NEED TO PAY ATTENTION TO IF YOU ARE A SMALL PRESS AUTHOR FACING BANKRUPTCY.



The attorney asked me if there were any other assets, or if I had copyrights on anything that would get me royalties. I said that I was an author of several books, but I wasn't making much money at it. Who among us really does? But I felt it necessary to mention that because when people hear you're an author, they think you make Stephen King money.



She asked me how much my royalties are, so I told her. She thought about it for a moment, and then she said, "Yeah, I don't think they would be interested in those books as assets."



Wait a minute. Losing the rights to my books was on the table in the first place?! Well, yes. And yes, I am focusing on the brighter side of her statement to me, and not the negative connotation that I'm kind of a loser. Hm. Maybe I should make this out in big caps for those who are skimming.



IF YOU ARE A SMALL PRESS AUTHOR FACING BANKRUPTCY, IT IS A VERY REAL POSSIBILITY THAT YOUR CREDITORS WILL WANT TO TAKE THE RIGHTS TO YOUR BOOKS AWAY FROM YOU.



Granted, it probably won't happen. But if you make better royalties than me? I'd step very fucking lightly, my friend.



Here's another thought, though. If my creditors really did want to take my books away from me, what the fuck would they do with them? There is a small perverse side of me that kind of wants to see what the holy shitstain fuck they would do with a title like Poor Bastards and Rich Fucks. Or how about Tales of Questionable Taste? You know, the one with the space giant fucking the sun on the cover? If only Dong of Frankenstein was still in print!



Well, I'm pretty sure I'll walk out of this with my books still belonging to me. But I never even imagined that the possibility of me losing them was even a part of bankruptcy. Armed with this knowledge, I am doing my good deed for the day. I know a lot of you who read my posts are fellow authors, and I know some of you are probably doing better than me financially. May these words of wisdom find you well.

Wednesday, October 17, 2018

BOOK SALE!

My short-term disability check may have finally cleared, but I'm still in deep water with my creditors. While I'm doing this week of shameless self-promotion, I figured I'd dig into my own stock and see what I've got. Sure, you can buy these through Amazon, but if you buy them from me, you can get them signed. If I can physically put these books in your hand, there is no shipping charge. If I have to mail it, though, there will be a $2 shipping charge. So here's what I've got. If you see something you want, let me know. First come, first served.


--BLOOD (8 copies) $10 each


--STRIP (1 copy) $12


--STRANGE SEX 3 (1 copy) $7


--DONG OF FRANKENSTEIN (1 copy) $5


--TALES OF QUESTIONABLE TASTE (1 copy) $10


--ZOMBIE! ZOMBIE! BRAIN BANG! (2 copies) $10 each (contains "Pack Rat")


--POOR BASTARDS AND RICH FUCKS (1 copy) $10

Saturday, March 17, 2018

BOOK SALE

It's been a while since I posted my books for sale. Here's a list of everything I have. Books are $10 each. If I can't physically place them in your hand, there will be a shipping charge. Dong of Frankenstein is $8.


ATTENTION: I have found a dinged copy of And Jesus Came Back. $5, first come, first serve.


--TALES OF QUESTIONABLE TASTE: 5 copies


--DONG OF FRANKENSTEIN: 2 copies


--AND JESUS CAME BACK: 2 copies (not including the dinged copy)


--STRANGE SEX 3: 3 copies


--THE DOCTOR . . . IS IN: 4 copies


--ZOMBIE! ZOMBIE! BRAIN BANG!: 2 copies

Thursday, September 21, 2017

TALES OF QUESTIONABLE TASTE extras

I remember when I first held a copy of TALES OF QUESTIONABLE TASTE in my hands. It was a marvel to behold. It was my second book. STRIP, my first book, didn't do so well, but TOQT made me very happy. It put me on the map. I'm pretty sure I wouldn't be here now without its publication.


I did find it odd, however, that a few things were left out or changed. When I submitted this collection, I didn't know what StrangeHouse would want out of me, so I gathered all of my published stories and a few I really wanted to get out there, and I told them to pick which stories they wanted, which they did.


I always kind of wondered why they changed the name of the final story from "The Skyscraper of Forbidden Delight" to "The Skyscraper of Suspicious Delight." I suspect it was a typo or a misunderstanding, because in the story notes, the title remains "The Skyscraper of Forbidden Delight."


They also left out the copyright page listing where the stories first appeared and my dedication. Here's a little extra material that you haven't seen before.




© 2009 “The Space at the Bottom of Martin Oglesby’s Desk Drawer” (First appeared in TALES OF THE TALISMAN)

© 2008 “Outside Her Window, It Waits” (First appeared in LOST INNOCENCE)

© 2012 “Monster Cock”

© 2008 “Amber” (First appeared in THE MONSTERS NEXT DOOR)


© 2012 “Riding the Midnight Gloom” (First appeared in LIQUID IMAGINATION)

© 2007 “Virtuoso” (First appeared in AOIFE’S KISS)

© 2008 “Suicidal Tendencies” with Nicole Evans (First appeared in THE MONSTERS NEXT DOOR)

© 2011 “Family Man” (First appeared in A HACKED-UP HOLIDAY MASSACRE)

© 2007 “Pimp of the Living Dead” (First appeared in TABARD INN:  TALES OF QUESTIONABLE TASTE)

© 2010 “Corpusplasty” (First appeared in TALES OF UNSPEAKABLE TASTE)

© 2012 “A Place to Be”

© 2008 “Shrink” (First appeared in FROM THE ASYLUM)

© 2010 “Timely” (First appeared in HOUSE OF BIZARRO)

© 2002 “Baseball Players are a Superstitious Lot” (First appeared in COLLEGE NEWS)

© 2004 “Slummin’ It” (First appeared in TABARD INN)

© 2005 “A Night in the Unlife” (First appeared in NIGHT TO DAWN)

© 2004 “Yum” (First appeared in THE NOCTURNAL LYRIC)

© 2012 “The Skyscraper of Forbidden Delight”

This collection is dedicated to all of the editors who have ever taken a chance on me.  I appreciate everything you have done for me, and I hope the publication of this book drives some new customers your way.

Saturday, June 17, 2017

BOOKS I HAVE IN STOCK

If you see something you like, let me know. $10 each or 3 for $25. There will be a shipping charge unless you live close enough for me to hand deliver to.

-AND JESUS CAME BACK: 5 copies


-THE DOCTOR IS IN . . . 4 copies


-DONG OF FRANKENSTEIN: 2 copies


-TALES OF QUESTIONABLE TASTE: 5 copies


-STRANGE SEX 3: 3 copies


-ZOMBIE! ZOMBIE! BRAIN BANG!: 2 copies

Sunday, April 16, 2017

BOOKS FOR SALE

Whoo-boy. Looks like I'm not going to be able to pay all my bills this month. I have a substantial tax return coming soon, but it's not going to be in time. So . . . time for a book sale! Have you ever considered buying one of my books, but you've never gone through with it? Now's the time! I'm offering this sale for the rest of April. You're never going to beat these prices, so now's the time to jump in. Here's what I've got:

-STRIP: 2 copies, $10 each

-TALES OF QUESTIONABLE TASTE: 3 copies, $8 each

-DONG OF FRANKENSTEIN: 5 copies, $5 each

-ZOMBIE! ZOMBIE! BRAIN BANG!: 2 copies, $8 each

-STRANGE FUCKING STORIES: 1 copy, $8


If you live close enough to me for hand delivery, that's cool. Otherwise there may be a shipping fee. I'll have to find out what that is and get back to you. If you see something you like, please let me know. Thanks!

Sunday, November 20, 2016

BOOKS IN STOCK

It's been a while since I posted what I have in stock of my own books in case you want to buy directly from me. I'll even do the 3 for $25 deal that we usually do at conventions and book festivals. Otherwise they're $10 each. (Or, if you're just buying DoF, $7.) If you live close enough to me that I can hand deliver it, cool. If not, shipping charges will apply. If you see something you like, let me know.


-STRIP: 2

-TALES OF QUESTIONABLE TASTE: 3

-POOR BASTARDS AND RICH FUCKS: 1

-DONG OF FRANKENSTEIN: 6

-STRANGE SEX 3: 4

-ZOMBIE! ZOMBIE! BRAIN BANG!: 2

-STRANGE FUCKING STORIES: 1

Saturday, October 1, 2016

GOODNIGHT, FUCKERS #215: MY ADVENTURE IN MORRIS, IL

To be honest I didn't expect much. Morris, IL, isn't a big place. I had grave doubts that anyone would buy my weird books. The only thing I thought they might buy was STRIP. That's the most straightforward book I've written. It's still ultra-violent and hyper-sexed, but it's normal. The things that happen in that book could actually happen in real life. There are no monster cocks or anything in that one. I also had an odd feeling in the back of my head that I might be burned for a witch when they saw my books. At the very least I might be arrested. I wore my WARNING: OFFENSIVE shirt just so people knew before they approached my table.


I sold two books. The $20 I made off of them went into my gas tank for the ride home. Still, the show was fun, and more importantly, it was for free.


Unfortunately it rained today. This book fest was supposed to be held outside, but instead they held it inside the library. As a result we didn't get a lot of Corn Festival traffic. Still, it wasn't a bad show. It had a real intimate feeling to it. To my surprise no one was horrified. No one was disgusted when they saw my books. They certainly weren't to everyone's taste, but they were very polite about it. True library people. Even if they don't like something, they would never make a big fuss out of it. I should have known better, having worked at a library from 1996 to 2006.


They had me sharing a table with Gregory T. Obert. That made me a little nervous. I know how offensive my books can be to people, and I didn't want to ruin his fest experience because of the kind of author I am. I warned him ahead of time, "Either you're going to be amused by me, or I'm going to horrify you."


Luckily it was the former. He's a really good guy. He listened to me tell my terrifying real life stories for three hours. When we were packing up he said that he had some pretty good stories, too. If we ever get thrown in together again, I'm going to shut my mouth for a change and listen to him. Click on the link above. Buy his book, THE MAN ON THE BENCH. I haven't read the book (although I did a book swap for it), but having spent a while with him, I know it's going to be good. At the very least it's got a great cover, as maybe half a dozen non-customers told him today. It was his first public appearance, and he handled himself very well.


Originally I'd asked a friend of mine, Nicole Evans, to be my table mate. If you do shows, you can't do them alone. You need someone to watch your back. She co-wrote "Suicidal Tendencies" with me. You can find the story in TALES OF QUESTIONABLE TASTE. Unfortunately she's run into some health and legal issues, so she couldn't make it. I put out the call to fellow IL authors, and Groot Marbles answered it. I've known him for quite some time online, but I've never met the guy even though we live maybe 45 minutes away from each other.


It was a sheer joy to meet him and his lady in person. We had a good conversation. Unfortunately he is the unluckiest person I've ever known. One of my brothers is supremely unlucky. Anything that can go wrong for him will go wrong. But Groot has it much worse. He told me about the shitty day he's had today, and then he told me that's pretty much every day for him. I wish I could have spent more time with him, but events conspired against us. I'm going to see him again in November, and hopefully his unluckiness won't get in the way of that. Also, he has some great news. I'm sure he can't announce it yet, but stay tuned.


Once again I couldn't help but notice that kids are drawn to my books. I don't know what it is. If there's a child in my vicinity, they will be attracted to my books. There was one kid who came by three times. His grandfather, a fellow author sitting near me, said that the kid did not stop at anyone else's table. It was just mine. He was not alone. A lot of children pawed my books, and it made me very nervous. Thankfully the parents were all understanding. (Groot mentioned that what was going on could very well be defined as child abuse. I was stricken by the idea, but the observation was so spot on I couldn't help but laugh.)


I should also add that at one point the kid who came to my table three times was in awe of TALES OF QUESTIONABLE TASTE. Remember the kid I mentioned at the Printers Row show? The one who saw that book and stared at it like he'd seen titties for the first time in his life? That's exactly how this kid responded.


Groot told me that I should write children's books. I might take that under serious consideration.


But yeah. Two books sold. Will I be back next year? Probably. It's a good show. Not financially rewarding, but I had fun. Morris, IL: I will see you in twelve months. If you'll have me, that is.


PS: I had a wonderful conversation with the person who bought STRIP. She said that her boyfriend was working on a horror novel set in a strip club, and it sounded like an excellent idea. If you're reading this, let me know. When the book comes out I would love to read it.

WANNA BUY A BOOK PERSONALLY FROM ME?

I just did a book fest in Morris, IL, and it was not as successful as I was hoping. Right now I'm sitting on a treasure trove of stock. If you want to buy from me directly, let me know. Everything is ten bucks, or I have a 3 for $25 deal. My stock is as follows:


-STRIP: 2 (You should really buy from me. If you go to Amazon you'll be charged an arm and a leg. With me it's either $10 or cheaper if you go with the 3 for $25 deal.)

-TALES OF QUESTIONABLE TASTE: 3

-POOR BASTARDS AND RICH FUCKS: 1

-DONG OF FRANKENSTEIN: 7

-STRANGE SEX 3: 4

-ZOMBIE! ZOMBIE! BRAIN BANG!: 2

-STRANGE FUCKING STORIES: 1


I also have one more thing. It's not included in the 3 for $25 deal, though. I have the very last copy of STRANGER DANGER by Kevin Strange and Danger_Slater that you will find on the market. Go look at Amazon. See? No one's even selling it used. This book is out of print, and while you can purchase the novellas within separately, the likelihood of this book ever going back into print in this form is very, very slim. It is also signed by both Kevin and Danger. This is a super collectible right now. I could be a dick and charge $100 for it, but you can have it for $15. That's right, for $15 you can have the final copy of STRANGER DANGER for sale.


Let me know if you want some books. If you don't live close to me (so I can hand deliver to you), there might be shipping charges. If it's just for one book, I'll eat the cost, but if you want more than one I'll have to find out how much that costs.

Wednesday, June 3, 2015

HEY FUCKERS #23: ALL PACKED UP AND READY TO GO

I'm all packed up and ready to go to the Printer's Row Lit Fest this weekend (and, of course, the new Bizarro Hour at G-Mart Comics on Saturday night). Two big boxes and one small box, all full of books, magazines and other wonders. You should see the box Shamus and Erika at Rooster Republic sent me. It weighs a shit-ton, and it's completely full of amazing books. When the fest is over, I'll be half-tempted to say that I shipped it back, but it must have gotten lost in the mail. (Heh.)


Seriously, I haven't seen so many StrangeHouse books in one place, not even at the horror shows when I worked their booth. Plus, there's a lot of Rooster Republic titles in there. If you're going to the fest, and you haven't gotten any of these books yet, you're going to need to stop by our table, which is 205/207 in Q2. I don't know where that is, specifically, but that's where I'll be this Saturday and Sunday with some kick ass writers, eager to sell some books.


This box is so fucking heavy, though, that I want it to weigh a lot less when I take it back home with me. A LOT. It is my mission to sell so many of these books that I can carry the box for blocks without it bothering me. I want to make it so that it weighs three-quarters less than what it weighs now before this weekend is through. Not just because I have a broken tailbone and shouldn't be lifting heavy things, but also because dammit, I want these writers to make some money and get some recognition.


As it turns out, all my books sold out at Texas Frightmare, so none of the books that were included in the package were TALES OF QUESTIONABLE TASTE or POOR BASTARDS AND RICH FUCKS. I'm supplying my own copies for the show. That's what's in the one small box I mentioned before. The other big box, though?


Here's the deal. I have fourteen of my own books with me. I also have fourteen incentive packages. If you buy my book (either of them), I will give you one of these packages for FREE. FREEEEEEEEEEEE. These packages include all three issues of my old genre fiction magazine, TABARD INN, in addition to two bumper stickers I used to sell back in those days (PUSSY SATISFIES and IT'S A PARASITE NOT A CHOICE) and the brand new Bruni/Danger US presidential bumper sticker. All of that for free with the purchase of one of my books.


Hell. If you're still at the show near the end of the day on Sunday, and I have some of these packages left, stop by and I'll give 'em to you, no strings attached, just so I don't have to take that giant fucking box home with me. But don't count on that. I might just sell all my books and not have any packages left.


Or if you want to be a cheap bastid, come out for the Bizarro Hour, and I'll give away free issues of TABARD INN just for showing up. It'll just be single issues, not the packages, though.


Bottom line: I want to go home with zero boxes. I'm a realist, and I'm going to just have to accept that it's probably not going to happen. I don't want to come home with any incentive packages, though. And I will consider it a failure if I haven't reduced the RRP box to a quarter of its size. Help me make this happen.


By the way, I've been told that book prices are $10 each. $25 if you buy three. Those are some great prices. I hope to see you all there, and I hope you all take it easy on my broken tailbone. Thanks for reading!

Monday, December 8, 2014

GOODNIGHT, FUCKERS #133: AN OPEN APOLOGY (A WRITER'S LAMENT)

I've never found myself in a position where I needed to offer an official apology before. Do you all know Nicole Evans? She co-wrote "Suicidal Tendencies" with me for THE MONSTERS NEXT DOOR, which also appeared in TALES OF QUESTIONABLE TASTE. I wrote something in the story notes for TOQT, and I swear to you, I thought she'd read what I said and was cool with it.


I was wrong. She'd read it and was so pissed off that something happened that I probably shouldn't talk about. I have before, but she made it clear to me recently that she wishes I wouldn't talk about it.


When she brought it up to me, I didn't understand the problem. It took me a while to figure out what I'd done wrong, but I assure you, I didn't mean for that to happen. What I wrote was flippant and dismissive, but I didn't think so at at the time I wrote it, but looking back? I understand her problem with it. In my defense, it really *was* a long story, and I didn't want to take up so much time with the issue. I never meant what I said to hurt her, especially since it hurt her so badly it turned out . . . I can't say it. Not because I'm not an open book, but because she doesn't want me to say it in public.


I never realized the power of my words until this very moment. I thought I was entertaining people, and for the most part, I'm right, but there's the 1% chance of something else happening.


This is so awkward. I want to say so much more, but to do so would incur her wrath. I love her too much to do that to her. I wish she were more open to this, but I'm an animal. I don't care what I talk about online. I mean, I talked about the time I almost hanged myself on an elementary school playground because of some foolishness I saw in a movie once. That's pretty fucked up, no?


I told her about "The Knot That Binds," which appeared in STRANGE FUCKING STORIES. There was a character in that story based on her. I was pissed at her when I wrote it, but I still stand by it as an accurate representation, at least from my perspective. My portrayal of her was pretty bad.


But the conjoined twins in that story? They portrayed me, and I think writing about them was worse.


Those of us who are writers usually base our characters off of people we know. But sometimes, those people read about the literary versions of themselves. Things get awkward. Things get fucked.


I can't believe I've reached this point in my career. I would never take back something I wrote about someone else under fictional pretenses, but at the same time, I don't want to hurt my loved ones' feelings. So I apologize.

Saturday, November 29, 2014

GOODNIGHT, FUCKERS #124: NEWSPAPERS I'VE BEEN IN

I cleaned out my desk tonight, and I found a few newspaper articles I'd been in that I'd forgotten about. Tonight, I'll be discussing these, starting with . . .





When I was a kid, waaaaaaaaay back in the day, someone from the Elmhurst PRESS asked me about gay marriage while I was at the library. This is what I told them. Considering the conservative town I live in, it's kind of a surprise that my fellow interviewees agreed with me.





This is from when I won the Carlson Award for Creative Writing at Elmhurst College (one of three winners). It was for a short story I wrote called "Love in a Book." It has yet to be published, but it's a fun tale of what happens when a vampire asks his wizard friend to cast a spell on the girl he loves (and what happens when the cops find out). Maybe some day, I'll let it see the light of day, because it is pretty funny.





This is the ultimate proof of why I can never trust the media. If you can read all of this (I know, it's small and distorted, but it's worth the read), please realize that everything written here (except for the loss of shoes) is a blatant lie. Nicole Evans, who co-wrote "Suicidal Tendencies" with me in TALES OF QUESTIONABLE TASTE, was my date, and yes, I was the guy in question. We were NOT elegantly dressed. I was wearing a denim jacket, for fuck's sake. The creek hadn't dried up due to conditions. They were working on fixing the waterfall at the forest preserve, so they shut down the water, which caused the creek to dry to a trickle. And we didn't leave the path, like some misguided Hansel and fucking Gretel. Nicole saw a duck hanging out by that tiny creek trickle, and she couldn't stop herself from jumping over a barrier to walk out and get a picture of the fowl. Except . . . well, she sank down to her knees. I laughed at her from a safe distance (because I was, am and always will be an asshole), but she asked me for help, so I tried to go out and help her. The ground looked sturdy enough, but halfway out, I sank to my knees. It was nearly impossible to pull myself out and help her. I did my best, but I kept sinking down. I lost one of my shoes, but I was able to reach into the mudhole and grab it out. However, Nicole got tired of my slapstick attempt at saving her, so she gave up and walked past me, telling me how much I sucked as a savior. I eventually pulled myself out, walking on all fours back to the barrier. We were both covered in mud, so we cleaned ourselves off with a hose behind the forest preserve's HQ. As we did this, the Trib writer interviewed us (so she knew very fucking well that she lied in her fluff piece). After we were clean, Nicole told me that she'd lost her shoes--for real--in the quick-mud. Because of this, I gave her a piggy-back ride back to the car, so she wouldn't get her bare feet all fucked up on the gravel path. However, the shoes she'd lost were shoes that she'd "borrowed" (please read as "stolen") from one of her friends, so she didn't give a shit. So yeah, even the ONE THING the Trib writer got right was kind of wrong.





This is from when I was in junior high (what they now call "middle school"). Everyone at school knew I was a writer, but none of them knew about my horrid poetry attempts. Much to my surprise, one of my poems earned me a spot as a Sandburg Fellow. (The school is named after Carl Sandburg, who lived about a mile away from it once upon a time.) This recognition led to a poetry workshop, which I bullshitted my way through, mostly because I don't know shit about poetry. I've only had one poem in all of my career published which satisfied me. "The Rubber Band of Sanity" was NOT that poem. Still, it seemed to impress people, so I was OK with skipping classes just so I could hang out with fellow student poets and a real, live local poet.


Sorry. The reason I'm talking about this shit now is because I cleaned out my desk and found some interesting things. Just thought I would share them. Goodnight, people who are probably not really fuckers. (And some of you who might, actually, be fuckers, but lovable fuckers.)

Wednesday, November 19, 2014

GOODNIGHT, FUCKERS #115: A FUNNY THING HAPPENED ON THE WAY TO THE DENTIST'S

Some of you may recall that I had a bout with gingivitis a few years back, and while I've defeated it, my gums have receded a bit too much. I wound up losing a tooth to it. I got an implant, as described in my old multi-part "Tales of Dentistry." The dentist I'm about to talk about is referred to as Dentist Two in the second part of that series.


I recently went to my dentist for a cleaning, and the hygienist said that my gums on tooth 26 had receded too far, to the point where if I did nothing about it, I would lose that tooth. Dentist one referred me to dentist two again for a skin graft.


I just got back from my Vegas vacation, so I had the day off to recover. Because it sounded urgent, I decided to go in for my gum graft today and get that over with. It went very well. There were no issues. However, after, when I was setting up my appointment to get the stitches taken out, the receptionist suddenly remembered me. Dentist two remembered fairly well, but the receptionist suddenly had total recall.


She asked me if I used to come in with my grandfather. I did. She asked me if I was a writer. I was (and still am, in case all of you have forgotten). She asked me if I liked horror, and I said yes.


Then, she said something very odd to me. She said that she remembered thinking about this nice young man who used to come in with his grandfather, who needed a tooth implant. Immediately, I thought, "Oh shit." Because I was on my best behavior due to the fact I was going to see a dentist whom I didn't know. (I don't act like myself if I'm in such a situation.) Also, my grandfather was with me because I was on trial for DUI at the time. If he didn't drive me, I couldn't make it to the dentist.


But then she said that she wanted to set me up with her daughter, who really likes horror books, whose husband she hated. I wanted to tell her about the way I really am, but I knew it would just be more awkward, so I stayed silent.


And then she asked about how my writing career was going, so I talked vaguely about my first book, STRIP, from MUSA, and my second book, TALES OF QUESTIONABLE TASTE, from StrangeHouse. Also, I told her my third book was coming out soon, although I didn't mention the title. It's pretty vulgar, and it might change by the time it comes out. But still.


The next thing I know, she's telling everyone else in the office that I'm a writer of horror and crime. All of a sudden, everyone, including Dentist Two, wants to read my books. They said they were going to look me up on Amazon.


I didn't dare tell them that my second book features a space giant fucking the sun, as provided by the awesome Jesse Wheeler.


Only one of them strikes me as someone who might enjoy my work. The others? Let's just say that my next visit to the office should be . . . interesting.

Saturday, October 4, 2014

GOODNIGHT, FUCKERS #79: 10 YEARS AND THE GUY WHO INVENTED METH

This happened a few years ago. The seeds were planted at Mullen's in Lisle, where a friend had a regular karaoke gig at the time. That night, the guest was a DJ from Q101, and anyone who got on stage and sang would be given free tickets to a local show. If memory serves me correctly, the DJ was Sludge. Anyway, I'd already planned on getting up and singing. The previous week, I'd gotten my friend into trouble because I serenaded a blowup doll to Elvis's "I Want You, I Need You, I Love You." I had to play nice this week. I'd planned on wearing a strap-on dildo to stroke while singing Chuck Berry's "My Ding-A-Ling." Because I didn't want to fuck my friend's gig up, I wore a string of bells around my waist instead. When I was done with my rendition, a Q101 rep came up to me and gave me my choice of concert tickets.


I hadn't heard of any of the bands he'd mentioned except for Tantric and 10 Years. I flipped a mental coin and went with 10 Years.


That night, I was arrested for DUI. After years of struggling with the legal system, I was found not guilty. However, at the time, I was about to lose my driving privileges for a year. In that time, I was dating the woman who co-wrote "Suicidal Tendencies" in my second book, TALES OF QUESTIONABLE TASTE. (This is one of the two stories everyone always mentions as their favorite from that book. I owe a lot to her for her help with that one.) She was having difficulty at home for several reasons which isn't my business to talk about here. Suffice it to say, she and I went to this show together. It was one of our most memorable dates.


I remember sitting in the back seat of my car in the parking lot of the venue because they weren't open yet. Others were tailgating, but she and I were messing around a bit. She was cool with one of my big turn-ons, which is public sex. While this group of college-age kids were getting hammered a few spaces over, her and I were doing just about everything but fucking in my car.


When they let us in, we hung out, had a few drinks (most of them poured from the airplane bottles I'd hidden in my pockets), and before you knew it, while 10 Years played on the stage, she and I were getting pretty heavy on the dance floor. It got to the point where we were almost kicked out for public indecency. The bouncers were very uncomfortable with how far we'd gone.


But we didn't get kicked out. Instead, we drank more, danced more (even though I hate dancing) and she tried to get me into a three-way. Back then, I was super uncomfortable with that, even though it would have been with another woman, not a dude. I might be the only guy in history who ever turned that down. I don't share very well, regardless of sex.


Anyway, the show ended, and she liked the band enough so that we got their album, and then we had to figure out what we were going to do next. The father of her daughter was taking care of the kid, so we were free to do whatever we wanted. We got a bottle of Evan Williams, and she pointed out a truck stop in Bolingbrook just south of I-55. We parked and drank some more and then she invited me into the backseat of my own car. I'd like to say we made love back there, but seriously. You can't make love in the backseat of a Ford Focus while parked in a dingy truck stop. We fucked so hard I eventually had to get my car detailed. The windows were fogged up, but we could still see the silhouettes of truckers as they walked by on their way to the store. I'm sure they knew what was happening in my car.


But no one bothered us. When we were done, we got dressed, and she wanted to show me around the truck stop. She'd originally wanted to fuck in the showers they had, but I expressed my reluctance, not knowing what kind of ugly shit we'd find in there. Anyway, she showed me the showers, the store, everything. We wound up with some energy drinks in the lounge, where truckers sat around, watching TV.


And then one of the truckers--a skinny guy with a baseball cap on--started a conversation with us. I don't know how it started, but he wound up telling us about his history on the road. He'd done plenty of drugs over the course of his life, but he'd been clean since 1976, which was two years longer than I've been alive. (She was born in 1983, so . . .) And then, he made an incredibly ridiculous claim: that he'd invented meth back in the 'Seventies. Neither of us could refute his claim, so we sat back and listened to him babble about this for a while. Then, he must have gotten bored talking to us, so he watched TV until we decided to get the fuck out of there. I drove her home, where I spent the night cuddling with her on the floor of her apartment while her baby slept in the crib and the father of their baby snored loudly on the mattress in the corner of the room.


I didn't realize it at the time, but that was pretty awkward.


Her and I are still friends. She looks back on the times we dated kind of negatively, which is fair because those were negative times, for the most part. I don't think she likes to talk about those times. To be honest, I don't, either. However, I'm not going to try to hide a part of my past. If she wanted to talk about it, I'd listen.


The one part of our relationship that she has no problem talking about is that night, however. She looks back on it fondly. So do I.


She brought adventure to my life. I miss that. I don't miss the relationship, which was terrible. We were awful for each other, and I'm glad that we're not like that now. But still, those were fun times. Times that will never happen again.


[I didn't know if I was going to tell this story, but I figured it's a fun tale to tell. Originally, I named my girlfriend at the time, but I redacted her name. Those of you who know me well enough, or those who read my second book, know who she is. I don't think she'd have a problem with me telling the story, but on the off chance, I figured I'd leave her name out of it.]

Tuesday, August 26, 2014

GOODNIGHT, FUCKERS #46: PATHS NOT TAKEN

I've wanted to be a professional writer for so long, I've completely forgotten what I wanted to be before that. I've always known I would need a day job, but what was my path before I went down the road that would lead me to STRIP, TALES OF QUESTIONABLE TASTE, POOR BASTARDS AND RICH FUCKS and all the other projects I have waiting in the wings to be released?


I've been thinking about it a lot because, as I'm sure some of you have noticed, I'm not happy with my day job right now, for reasons I may someday publicly talk about. I look at all these smooth motherfuckers who make a living by creating their own jobs, which has its appeal, but I wonder if I would be able to live with myself. I could, for example, be a self-help guru. I help a lot of writers. I give fairly good advice. I think I could make a pretty penny at that.


But it wouldn't be my rightful calling.


Or how about being a "professional friend" or cuddler? You know the people who rent themselves out to other people who don't have friends. They hang out and pretend, and for a while the customer is happy. Or those people who throw cuddling parties. I think I could get into things like that.


But neither of these things would be my rightful calling.


When I was in junior high, I wanted to be a scientist for my day job. A biologist, in particular. I learned I had an aptitude for it. Science class was the only class I ever looked forward to. I got a kick out of the experiments we did. Would I have ever been a great scientist? Probably not. I could probably have made a living as a mediocre scientist working for a great scientist.


That might have once been a calling, but it wouldn't have been satisfying in the end. Who wants to just be good enough at something?


I think I'm stuck with dead-end jobs for the time being. But I still think about those paths not taken. I hope quantum physics is right about alternate universes, because I know that somewhere in existence, I'm a scientist. Or a self-help guru. Or a professional friend. Or a cuddler. And I think it would be fascinating to meet all those other versions of me.


Who knows? Maybe one of the me's in the multiverse is a bestselling author.

Monday, March 24, 2014

ONE QUESTION INTERVIEWS: KEVIN STRANGE



Back in the day, Kevin Strange was a filmmaker. He wrote and directed several indie pictures, like COLONEL KILL MOTHERFUCKERS, DEAD SHIT and COCKHAMMER. Now he’s writing books and publishing them through his own company, StrangeHouse Books. He’s the author of ROBAMAPOCALYPSE, VAMPIRE GUTS IN NUKE TOWN and THE LAST GIG ON PLANET EARTH AND OTHER STRANGE STORIES, among others. I’ve been lucky to be a part of his company. They published stories by me in ZOMBIE! ZOMBIE! BRAIN BANG! and STRANGE FUCKING STORIES, they published my second book TALES OF QUESTIONABLE TASTE and we’re poised to do more business.




ME: After working in film for quite a while, you switched over to publishing. It’s easy to see why someone would want to publish their own work, but you’ve been encouraging a stable of writers for several years now. What drew you to championing other people’s work?


KEVIN STRANGE: Thanks for having me on your blog, John. You asked me this question a few months ago, and I’m still struggling with my answer. “Why did you choose to publish other authors?”


Why DID I choose to work with other authors? That’s a great question. And one of the hardest questions I’ve ever been asked. It’s a question I ask myself two or three times a week. I am constantly torn away from my own novels so that I can tend to and promote the needs and books of my fellow SHB authors. I’m always trying to find a balance between Kevin Strange the novelist and Kevin Strange the publisher.


Wouldn’t life be soooo much easier if I just wrote books?


Sure. And a lot less of a headache. And a lot less drama. But ultimately a lot less fulfilling. You see, when I wrote and directed feature films, I was surrounded by people. I had casts of actors who looked to me to direct them through their crazy dialogue and ridiculous scenes. I had the behind the scenes crew looking to me for guidance as they set up lighting and chose the angles and depth of their shots. I had musicians sculpting my soundtracks and editors putting all the footage together into a (mostly) cohesive whole. I was never alone in my creativity and yet, I was the driving force, the engine. The stop and the go. It was all up to me.


When I stepped away from that, there was a huge vacuum. I was now a guy alone in a room with a lap top. Sure I’d always pecked away at my own scripts, but not a single one of them was over 50 or 60 pages of mostly dialogue. My scripts were easy to write and basically just a reference for my actors to look at so they could memorize their lines. They took me a week each to write, once I sat down and did the job.


Writing fiction was hard as fuck. I had to write EVERYTHING and it took a long time. Days and nights turned into weeks and months for a few dozen pages. Each short story took a chunk of my being with it. My longer works felt like black holes, threatening to drag me down into myself forever.


It was like going from a brightly lit party with driving music, sexy girls, cool bros and lots of drugs and booze, to a pitch black locked basement.


It was a hard transition, one I’m not completely through. If I was, I’d have six books coming out this year instead of three. Sometimes, I still hide from my work because it’s too lonely, too quiet, too ME. The easiest way to overcome this shocking loneliness was to team up with a crew of like-minded weirdos and do this thing together. It didn’t feel so lonely when it was HEY GANG! STRANGEHOUSE BOOKS!!!!! instead of just Kevin and his computer.


But one thing I wasn’t ready for, after years of being THE GUY who controlled everything from how much toilet paper we brought to the set, to how long a beautiful woman had to stand in front of me with her tits out while talking about buttholes and huge dicks, was that my new author buddies who I teamed up with to fight the good fight with . . . well, they had egos of their own.


I didn’t write their books. I didn’t control their books. As their publisher, they saw me as the guy who magically made them money, and I could fuck myself if I had anything else to say about it. Those two things, the ego of a film maker and the ego of a writer are two things you never want to see clash.


It’s been over two years now, and I’ve learned to adjust. Some people still think I’m an ego maniac who steals all of authors’ money and jacks off with it. But anyone currently working with me knows I’ve mellowed out.


I’ve learned to deal with author egos, and how to keep my own bullshit in check. I had to lose a few books from my catalog, and let several talented authors (and a couple of business partners) walk on down the road before I figured out how to run my shit. But we’re good now.


Today? As 2014 grows its first boner, I couldn’t be happier to work with my team of authors, artists and our editor Sean Ferrari. I understand that our authors’ books belong to them, emotionally, and I’ve learned to feel people out before I sign them to contracts. I don’t let the cunts ruin the fun for the rest of us. I’ve learned that blindly accepting novel submissions is mostly a waste of time, and that helping an author build a book that both of us are happy with is the best way to do business.


I choose to work with other authors because I feel like I have something to offer them beyond writing them a check 4 times a year. I feel like our team compliments everyone on our roster and that as a whole, SHB is stronger, louder and more successful than any one of us would be without each other.


Working with authors like you, John Bruni, and author/artist Jesse Wheeler makes me excited to be an author, makes me proud to be a publisher. I don’t’ know if I’d still be a writer today if I hadn’t met you guys and helped bring your books to life. You guys make me want to be a better leader and a better author. Without you guys, I’m just the guy typing in the dark.


Thank you for making SHB what it is, and for making me who I am today. YOU are why I do what I do.




Kevin’s books can be bought here. Follow him on Twitter here. Don’t forget to check out SHB and buy all of their releases (including mine).