COOL SHIT 3-20-14

AMERICAN VAMPIRE: SECOND CYCLE #1: Welcome back to AMERICAN VAMPIRE, one of the very few vampire books on the market worth reading. It practically killed me when it went on hiatus. Now, it’s back, and it’s a beast with a different nature. Fast forward to the ‘Sixties, and Pearl is running kind of an underground railroad for wayward vampires. Even better, Skinner Sweet has taken an interesting direction: back to where he started. When we met him, he was a bank robber and murderer. Now he’s gone back to his thieving ways, except these days, he does it as a biker. Just look at that ponytail and sleeveless vest! But the coolest part is his hideout, a place he and his gang set up back in the Old West. It’s a buried freight car in the middle of nowhere, littered with junk, a Confederate flag and the bones of some forgotten woman. And then there’s the new villain, who seems to be a very ancient vampire . . .

JUPITER’S LEGACY #4: In this issue, we now learn a bit more about how the superheroes got their powers in the first place. More interestingly, however, is how they’ve been doing now that they have taken over America. Nobody seems to think they’re doing a great job. Big surprise. The bigger surprise: in Australia, there’s a mysterious kid with superpowers who is saving people’s lives. During his regular life, he’s doing his best to keep a low profile by pretending to be a klutz and letting the local kids beat his ass every once in a while. Still, it’s not enough to escape everyone’s attention. This has been a heartbreaker of a book so far, and I can only assume that there’s more tragedy ahead of us.

THE TRANSFORMERS: REGENERATION ONE #100: This book has a special place in my heart. When I was a kid, it was my favorite comic book. When it was canceled, it broke me so badly that I gave up reading comic books. I didn’t touch another comic until a friend of mine put the trade of EVIL ERNIE: YOUTH GONE WILD in my hands when I was in high school. When IDW announced that it was bringing Simon Furman and Andrew Wildman back to reprise the book, I was absolutely giddy. A part of me was afraid that it wouldn’t be as good as it was back in the old days, but I was just happy to have this piece of my childhood restored to me.

Well, it wasn’t as great as I hoped it would be. It was all right. It had a strong start and kind of petered out after a while. But I kept buying it, not just because I’m a habit-buyer, but also because of that special place in my heart. Well, they brought the book to a close yesterday, and I have to say, it ended in a fucking spectacular way, something I just did not expect. (Here’s my usual reminder that Cool Shit contains spoilers. If you don’t want to know how it ends, stop reading now.)

I’m sure a lot of people—myself included—thought that they’ll just end it and bring it back whenever the franchise needs a boost in sales. Uh . . . wrong. They’re fucking serious with this ending.

How do I put this delicately? Well, there is no way. Fuck it. EVERYONE DIES. There you go. Autobots and Decepticons alike. Everyone. The title of this final arc is “The War to End All Wars,” and Furman isn’t lying. Just a handful of Transformers survive when the thing that used to be Primus reshapes Cybertron, turning everyone else into Dark Matrix creatures capable of killing a ‘bot merely by touching him.

Not to mention the fact that the Dark Matrix has Optimus Prime in its thrall, and it has brought three different versions of him to fight Rodimus to the death. (Here’s another cool thing about this book: the multiverse. Whenever someone makes a movie out of a book or does a remake of a classic, I like to think that both versions happened, but they just happened in alternate universes, which is how I reconcile the differences and the things that piss me off. The same holds true for the Transformers books. Gen 1 takes place in another universe from the regular IDW books. Well, it turns out that Furman has decided that this is true. Just wait until the multiple Rodimus Primes show up, including the one from the Lost Light.)

Ultra Magnus and Galvatron have their final battle, and sure enough, one stands and one falls. Falls hard and permanently.

Rodimus realizes that the only way to save the universe is to kill Optimus Prime . . . AND HE DOES!

The Autobots and Decepticons give up war. They join forces with humans for a greater civilization. Even Starscream becomes an ambassador of peace throughout the galaxy. And in one final, beautiful moment of death, Rodimus Prime, the final Transformer, melts into the sun and gives birth to a new form of life. From his final thoughts, this wonderful gem: “Optimus was right—we were, ultimately, just one part of a far greater whole, and somewhere and when, in a perfect facet of the jewel he was honing, I picture an idyll, a utopia: the realization of Primus’ dream of a perfectly balanced universe, able to resist the entropic dissolution that inevitably turns order into chaos. My decision, our sacrifice, kept the dream alive.”

I couldn’t think of a better way to end this series.

[For the record, this last portion of Cool Shit was written with NRG’s “Instruments of Destruction” on a loop in the background.]

COOL SHIT 8-1-13

G.I. JOE #6:  All right, I’ve been ragging on this new incarnation of G.I. JOE, and well within reason.  It’s a jokey, bullshit book which destroys the great storyline that came before it.  But this issue made me laugh.  I couldn’t help it.  It goes into Cover Girl’s history and why she decided to join the military.  Apparently, she was on an army reality show, in which celebrities (she was a model, remember) go through basic training and then face off against each other on TV for some prize or other.  While they shoot the season finale, a crew of pirates raid their desert island and take them captive, and only Cover Girl can save them.  It sounds stupid, I know, but it made me laugh, mostly because it skewers reality shows, and I FUCKING HATE REALITY SHOWS.

THE TRANSFORMERS:  MORE THAN MEETS THE EYE #19:  Wow, this one adds a lot to the mythology, in particular a few interesting uses for the Matrix in the old days.  But the big shocker this time out is . . . Ultra Magnus was never Ultra Magnus, not in all the time we’ve known him.  He’s not an impostor, nor did someone control his mind (like with Prowl in ROBOTS IN DISGUISE).  Ultra Magnus has been gone for centuries.  However, he created this armor that looks like him that other Autobots can wear so that they can be the ultimate lawman.  And it’s passed down through the generations.  How weird is that?  And ballsy.  I wonder how many Ultra Magnus fans are weeping right now.  But goddam!  IDW is kicking ass with this one!

THE WAKE #3:  I’ll be honest, I didn’t know what to make of this series with the first issue.  It didn’t really say a lot, aside from introducing characters and mystery.  But plot?  Conflict?  Not so much.  This is quickly growing into one of my favorite miniseries.  Killer mermaids have been done before, but not like this.  The power they exert over their victims is astonishing, especially when it happens to the big game hunter.  You can practically hear him say, “Clever girl,” at one point.  Scott Snyder is an animal, and I wish he would cut back on the superhero stuff and concentrate more on stuff like this.  (And, of course, I’m going into AMERICAN VAMPIRE withdrawals.)

NEXT TESTAMENT #3:  Remember in last issue, when Wick had that dinner party of powerful guests at his mercy?  Well . . . not anymore.  They’re dead.  All of them, and in fantastic ways.  It’s an orgy of gore, and it’s a beauty to behold.  Not only that, but on a whim, he decides to change airplanes so they can’t fly anymore.  That’s right, all of them.  At once.  One has to wonder what the fuck this guy has in mind for the human race.  He’s delighted by them, but he seems to have no problem killing them off en masse.  This book gives me such a hard-on.  I can’t wait to see where Clive Barker brings us next!

C2E2 2013: THE VERTIGO PANEL

This was one of the stranger panels I went to, and all the credit/blame goes to Brian Azzarello.  Shawn McManus, Andrew Pepoy, and Will Dennis were also present for this flabbergasting clusterfuck.  Azzarello had something scathing to say about everybody and everything.  He was so surly, I wondered if maybe he’d had a few too many before taking to the stage.

No, he hadn’t been drinking, but he is a smart man.  He’s aware that Vertigo is on the very brink of shutting down.  Let’s face it, they got Constantine out of there because they didn’t want to lose him.  The only strong title they have are the FABLES related ones (I don’t count AMERICAN VAMPIRE because it’s on hiatus).  Azzarello earned a name for himself doing things like JONNY DOUBLE and 100 BULLETS, in addition to a bunch of short work for FLINCH and STRANGE ADVENTURES.  So . . . he doesn’t want Vertigo to go away.

Everyone on this panel was being wishy-washy about their own work, but Azzarello tried pumping them up.  In fact, it seemed like he was channeling Bull Murray from SCROOGED.  He wanted you to be deathly afraid of missing any of these issues.

Anyway, on to the announcements.  BROTHER LONO is not necessarily a sequel to 100 BULLETS, but it is a spin-off.  Someone, I forget who, said that this was their Laverne and Shirley.  Apparently, Azzarello and artist Eduardo Risso hashed this mini-series out in a taxi in Spain.  It looks like Lono is a religious man now, trying to atone for his life of crime.  Of course, it can’t work out very well for him.  It is an Azzarello book, after all.

Dennis mentioned that Azzarello and he were supposed to go over the final corrections the previous night in the bar, but they’d gotten drunk instead.  As a result, they started going over the corrections then and there.  Like, right in front of us.  At the fucking panel.

While they did that, the announcements continued.  They showed us the cover to FAIREST #17, but they said the cover of #15 was top secret.  They mentioned that they were starting an arc about a new character soon, but that’s all they had to say.  [NOTE:  We now know that the reason they couldn’t show the cover to 15 was because they were bringing Prince Charming back.]

FABLES #131 was next, but they talked more about Pepoy than the book.  Apparently, Pepoy had known writer Bill Willingham since the respective ages of 14 and early 20’s.  Pepoy brought his own table and set up next to Willingham at a previous Chicago con, and this led to his first Vertigo work.  Willingham brought him up to the big leagues.  Also, Pepoy has a weird fixation with the band, Men Without Hats.  He took a lot of shit for it.

THE WAKE is a book from Scott Snyder and Sean Murphy that will be released sometime in May.  It’s a horror book, but they didn’t say much else. [NOTE:  I have since read the first issue, and I still can’t tell you what it’s about.  I think we’ll finally get let in on the plot in issue 2.]

Around this point, someone mentioned a book that was on the New York Times bestseller list, and Azzarello lost his shit yet again.  “Listen, everyone is on the fucking New York Times bestseller list.  It’s overrated.  Do you people actually care about the New York Times bestseller list?”  He has a point.  Just because something is a bestseller doesn’t mean it’s good.

Anyway, speaking of Scott Snyder, AMERICAN VAMPIRE is a long way off from resuming.  In the meantime, he has a mini-series about Travis, the vampire hunter with the wooden fangs, called THE LONG ROAD TO HELL.  Fuck yeah!  He’s one of my favorite characters, aside from Skinner Sweet, of course.

Jeff Lemire has TRILLIUM coming soon.  It’s touted as the Last Love Story Ever Told.  It takes place in two different eras with two people, one from each, who fall in love with each other.  They called it THE NOTEBOOK with ray guns.  That sounds pretty cool.  Azzarello, tired of the wishy-washy marketing job done by the others, broke in yet again with, “Has Lemire written anything that sucks?  No?  Then it’s going to be a great book!”

The last announcement was COLLIDER, a new book from Simon Oliver, who did THE EXTERMINATORS (which I might feature on Forgotten Comic Books someday, even though it wasn’t that long ago).

They opened up for questions, but I wasn’t sure if I wanted to stick around or not, because I wanted to make the John Scalzi signing.  Eh, fuck it.  What the hell?  I got in line to ask a question.

You all probably have an idea of what I asked.  It’s the question I always ask when I have Vertigo people around.  Or when I have Garth Ennis around.  I’d ask if Steve Dillon were around, but I’ve never met the guy.  But while I was waiting in line, someone in front of me asked what work the panelists were really enjoying these days.  Pepoy said that he liked a lot of stuff coming out of Artists Alley, and he mentioned Kevin Bandt in particular.  Holy shit!  I know Kevin Bandt!  When I got home, I couldn’t rush to Facebook fast enough to tell him about Pepoy’s shout-out.

Then, it was my turn.  Yes, I asked about the final, unpublished PREACHER story, the one about the Sex Investigators.  Vertigo refused to do it because of the content.  I demanded answers.  Dennis said that it probably wasn’t going to happen, but then Azzarello blasted my balls off.  “NO!  The book’s not going to happen!  Why would you ask that stupid question?”

Dennis said that he was trying to let me down easy.  I slinked off, notifying everyone that I was going to weep myself to sleep that night.  I guess I will never get a better response to that question, so I’m going to have to retire it.  When Azzarello, who looks—coincidentally, I’m sure—a lot like the God of War in WONDER WOMAN, says something like that, I’m pretty sure it’s the truth.

So there you have it.  The biggest scoop I will ever get at one of these panels.  The last PREACHER story is never going to happen.  What a grim and sad ending to a strange and savage panel.

COOL SHIT 1-3-13

G.I. JOE:  COBRA #20:  With all the attention I pay to THE TRANSFORMERS here, one would think I’d bring up G.I. JOE a bit more often.  The thing is, all three books have been lagging, ever since they did that stupid Hunt for Snake-Eyes thing.  Let’s face it, the only way that story arc could have worked out in an awesome, unexpected way was if Snake-Eyes really did turn out to be a traitor, and he died in a very obvious, very gruesome fashion.  Now that the bullshit is out of the way, we can get back to the grown-up G.I. JOE kind of action IDW has been getting us hooked on ever since they picked up the series.  Flint and Lady Jaye are in serious trouble as they infiltrate a Red Oktober installation on a mission that doesn’t even exist on paper.  Now that they’ve been captured by a crew of thugs and murderers who have no regard for human life, it falls on Joe HQ to sort things out behind the scenes.  The problem:  the only person who seems capable of doing that is Tomax Paolo, who has been a prisoner of the Joes for . . . how long now?  Coming soon, they’re going to discontinue the three series in favor of three new series.  Personally, I think we’d be better served with one series, considering how for the past couple of years, we’ve been treated to one long story broken up over three monthlies.  Might as well just consolidate the whole thing.  I can understand having one main JOE book and then having a SPECIAL MISSIONS book, just like back in the ‘Eighties and ‘Nineties, but come on.  I have faith in the storytelling, but do we really need three JOE books?  That's kind of like breaking up an adaptation of THE HOBBIT into three movies--oh, wait.

AMERICAN VAMPIRE #34:  Now that we’ve been through several decades worth of story, we’ve finally reached the mid-point, according to writer Scott Snyder.  At first glance, it’s a sedate issue, but when you think more about it, it’s a harbinger of things to come, and is thus a very important issue.  With a bit of quick exposition, we learn the fate of Will Bunting, the first chronicler of Skinner Sweet’s life, and who has replaced Bunting at the VMS.  We also get to see Abilena Book in her old age as she denies having been granted visions by being bitten by Sweet years earlier.  We get to meet the new enemy of the series, and we get a massive slap to the face in regards to how things are going to go for the rest of the series.  Here’s the problem:  THEY’RE GOING ON HIATUS.  Snyder says the next story is written, but he also says that they’re taking some time off to recharge their batteries (and to give the artist more time to illustrate the series, as he doesn't want to take any more breaks).  I can only hope that Vertigo will actually still be around when they do come back.  Many of you are familiar with my ranting and raving in regards to HELLBLAZER’s cancellation, and how I believe that Vertigo will be gone by the end of 2013.  I love FABLES and all the related titles, but I’m pretty sure they could survive in the DCU and make everyone a lot of money there.  Right now, AMERICAN VAMPIRE is the only book that has me hoping that Vertigo will survive.  They’ve done a lot of great work over the years, including my two favorite books of all time (PREACHER and TRANSMETROPOLITAN, even though the latter did, indeed, start out at the short-lived Helix).  HELLBLAZER, the Lansdale JONAH HEX, THE SANDMAN, 100 BULLETS, I could go on forever about all the wonderful books they’ve done.  Maybe Shelly Bond can do great things now that she’s in charge (and I know she’s edited many good books that I’ve enjoyed over the years), but considering all the really, really, really, really, really bad decisions DC has made recently, Vertigo is a dog with rabies.  It’s only a matter of time before someone puts it down.  I hope AMERICAN VAMPIRE gets finished before that happens.

COOL SHIT 3-29-12

AMERICAN VAMPIRE #25: This issue marks the end of my absolute favorite AV story arc thus far. We find out why, exactly, Travis is hunting down Skinner Sweet, as he and Sweet battle for what seems like a final time. Travis really, really thinks of everything. The only thing that can hurt Sweet is gold, and Travis had taken the time to mix gold powder into his coffee that morning. You know, on the off chance that Sweet would try to drink his blood. There is really no lengths to which Travis won’t go to get this guy. We still don’t know how Sweet survived WWII, but we do know something interesting and new about him. Believe it or not, it’s enough to turn Travis away from him. I hope the next story arc doesn’t let me down. Still, I don’t know how Snyder will be able to top this.

COBRA COMMAND: COBRA #11: The next mini-series reaches its end, and it’s kind of cool. Nothing too big happens . . . except the one scene that earns this book a place in Cool Shit. The Baroness is confronted by Ronin, a super-secret Joe. The latter seems to have the upper hand on the former, but it looks like the Baroness bites a cyanide pill in order to kill herself to evade being interrogated. Unfortunately for Ronin, she is actually swallowing the cure for the gas the Baroness has just unleashed. Ronin is about to die . . . except she is clever. Since the Baroness had the only capsule, Ronin forces her mouth on the Baroness’s, swallowing as much of the cure as she can. How awesome is that? This is not your father’s GI Joe.

THE LAST ZOMBIE: NEVERLAND #2: Once again, we get an all right issue except for one thing: our heroes are cutting their way through a cornfield when they discover they’re surrounded by guns . . . being held by children. That’s right, a bunch of kids have been living together in the middle of nowhere, defending themselves with automatic rifles, by their own admission killing people to survive. Now, they’re aiming guns at Ian Scott and his fellow military friends. How awesome is that? In addition, my copy has a double cover. There was probably a mix up, which resulted in me getting two identical covers on my book. That’ll be worth a lot of money in the future, right? Like an error baseball card, right? Right?!

CROSSED: BADLANDS #2: Garth Ennis gets far uglier than David Lapham could ever imagine. Lapham relied on horrible physical images to get his CROSSED material across. Sure, there was a lot of psychological stuff to it, but Ennis brings it to a whole new level. The narrator is your basic Everyman, but in his very quiet kind of way, he proves himself to be a complete bastard. We learn that he’s got a history of running away from big groups, but now we know that he’s not afraid to abandon a pregnant woman in order to preserve his own life. He’s ballsy enough to suggest to the group that everyone leave her alone to give birth, in order to save themselves from an incoming group of Crossed. If she lives, she can rejoin them later. The rest of the group certainly have their reservations about this plan (as would any good person), but one must wonder: if it came down to a survival situation just like this, how many readers would do the right thing? How many more would join the protagonist in fleeing? It’s some really nasty material (and I’m still digging the shit out of the character who claims to be Prince Harry; he’s such a bastard that one character is convinced he’s not lying because anyone in the royal family must be a fuck). Sad to say, there’s only one more Ennis issue of this book. Good news: Jamie Delano is picking up after this.

Also, it's worth noting that the narrator mentions the last group he was a part of, which was ruled by a triumverate of alpha males who constantly argued.  One of them makes a racist comment to another, and the narrator stops and thinks, really?  We're still doing this?  And I couldn't help but think, of course.  The rules of society have been canceled.  People are not afraid to let their real selves out.  Let's face it, most people don't use the dreaded n-word because society tells them it's not the proper thing to do.  However, just because society says no doesn't mean that the racist urge disappears.  That's why there are so many closet racists in the suburbs, for example.  If the rules no longer apply, then they have no reason to keep their ugliness inside.  So yes, Ennis, they are doing this, even in the middle of the Crossed apocalypse.  Especially then.

COOL SHIT 2-23-12 (Yeah, I know it's late. Sorry.)

AMERICAN VAMPIRE #24:  I can’t tell you how happy I am to see Skinner Sweet alive and well.  And as far as protagonists go, they don’t come more intense than Travis.  He is pretty fucking serious about putting Sweet down.  Just look at the scenes of him in the asylum, and how he gets out.  Not to mention that, after Sweet pounded seven shades of shit out of Travis, Travis is still eager and willing to continue fighting, almost beyond the point of common sense.  I’m so glad I didn’t give up on this series after Sweet “died.”  I just hope Scott Snyder has a good excuse for taking back his death.

THE TRANSFORMERS:  ROBOTS IN DISGUISE #2:  Have I told you about how much I fucking love this new direction TF is taking?  Yeah, okay, I don’t mean to go overboard, but I’m constantly getting a hard-on for this book.  This time, Bumblebee is sooooooo paranoid about being assassinated by the Decepticons that he preemptively takes out Starscream the ONE AND ONLY TIME Starscream has ever told the truth to an Autobot.  Well, the thing is, Ratbat is indeed planning to have Bumblebee killed, but now that Starscream has talked . . . well, read the book and find out.  And why would Starscream sell Ratbat out like that?  Hm, do you know Starscream?!  Here’s a hint to his powermongering abilities:  in this issue, he joins the Autobots.  How fucked up is that?